The Center at West Park presents

BY EVA DING

PERFORMERS

Creator, Flutist & Co-Producer: Eva Ding (she/her)
Cellist: Emma Kato (she/her)
Pianist: April Sun (she/her)

CREATIVE TEAM

Art Director & Co-Producer: Richard Munaba (he/him)
Illustrator: Regina Linke (she/her)

PRODUCTION TEAM

Sound Engineer: Zeke Bardash (he/him)
Lighting Designer: Kalani Mackson (he/him)

ABOUT 妈妈，爸爸。(FOR MUM, DAD)

Songs from Home

Gobi Canticle, composed by Lei Liang
Sunset in Gion, composed by Yuki Ohnishi

Accompanied by an idyllic landscape, illustrated by Regina Linke, that slowly reveals more and more of itself, the music of Lei Liang’s ‘Gobi Canticle’ is like a sunrise, the title credits, to the whole show. The piece alludes to various genres of Mongolian music that include the long-chant, as well as the music of dance and shaman rituals and evokes the feeling of being transported back to the villages of an old world.

The serene landscape gives way to a small boat that is catching less and less fish, while ‘Sunset in Gion’ by Yuki Ohnishi plays. The fish not only symbolize the diminishing of sustenance but the diminishing of other resources and a need to look beyond the little village for a bigger, better life. The last pulsing, cinematic section of the piece propels us into an unknown, new world.

Journey to Foreign Lands

Tibetan Tunes, composed by Chen Yi
I. Du Mu
II. Dui Xie
Three Bagatelles from China West, composed by Chen Yi
II. Nai Guo Hou

The scenery of illustrated mountains changes to that of the stark reality of city streets. The fisheye and 360-degree effects of the lens utilized to make the footage even more jarring and disorienting - much like being in a foreign land feels. The three movements from the two pieces by Chen Yi - are tentative, chaotic, and mismatched respectively, all states that one might feel in a foreign place where the language, culture, and people are totally different.

New Found Home

Something To Say, composed by Corey Chang
II. Reflective
III. Grounded
Su (Tracing Back), composed by Zhou Long

The end of the “Nai Guo Hou” gives way to Corey Chang’s “Something To Say”, as the hecticness of the street scene fades into the camera following a young woman as she goes about her day-to-day life. Chang’s piece is tranquil yet definitive punctuated by the proclamation of “I have something to say!”. What that is is left to the audience’s interpretation but as the piece winds down into a lulling repetition of playful musical motifs it may be a reflection of the feeling of settledness and a newfound home.

Ending with Zhou Long’s “Su”, brings the journey back full circle in a way as the strains of the cello and flute elicit connotations of Eastern instruments. The abridged English translation of the word “Su” means to trace back, trace back one’s history, and recall ancient times. It is a reminder to always honor and remember our roots and heritage and the folks that came before us so that we are where we are now.

ARTIST BIOS

EVA DING (She/Her) is often humorously likened to an inflatable tube man onstage because of her enthusiasm and physicality, all flutist and multi-disciplinary artist Eva Ding ever wants to do is imbue in others the same sense of joy and richness the performing arts brings to her. Ever-changing and growing in her crafts, Eva is currently working on creating immersive, interdisciplinary works that meld together her passions for music, theater, and film. Along with her duo partner, Eva is dedicated to illuminating classical music in a way that is exciting and interesting for a new kind of audience - one that looks and feels more like the world around us.

EMMA KATO (She/Her) is a cellist and music instructor, born and raised in New York City. She received her Bachelor of Music from the Eastman School of Music, studying with renowned cellist Alan Harris, and completed her Master of Music at the Manhattan School of Music with Julia Lichten. Emma has won 1st prize in the Wagner College Young Musician Competition and the Associated Music Teachers League Scholarship Competition and 2nd place in the Cello Concerto Competition at The Eastman School of Music. Emma currently works as a music instructor teaching through Suzuki Methods, educating young artists about the power of music. She strongly believes that music is a universal language that anyone can speak and express themselves through, regardless of one’s background.

APRIL SUN (She/Her) Boston-based pianist April Sun enjoys a multi-faceted musical life as a performer, educator, and arts organizer who values curiosity, sincerity, and fun in her work/play. An avid chamber musician, she co-founded the Meadowlark Piano Trio, frequently collaborates with Phoenix and the Cape Cod Chamber Orchestra, and has performed at such diverse venues as Calderwood Hall (Boston), Bing Concert Hall (Stanford), Spectrum (NYC), Pepsico Hall (Fort Worth), and the American Exchange Center at Jiaotong University (China). Committed to helping communities forge meaningful relationships with music, April serves as Co-Executive Director of Music for Food, a nonprofit that uses music to generate funds for food pantries, and works with Asian Musical Voices of America to build community among self-identified AAPI musicians.

RICHARD MUNABA (He/His) Born and raised in Indonesia, Richard Munaba is a multidisciplinary art director / new media artist based in NYC. He received his BFA in Interactive Art from Maryland Institute College of Art in Baltimore, MD. His practice lies on the intersection of art, design, and technology. His goal is to create immersive environments in which people can experience different realities and get transported into other space. Having a wide range of skills + interest along with passion in interpersonal relationships, Richard prides himself as connector of dots and wearer of many hats - except maybe not a fedora.

REGINA LINKE (She/Her) is an author-illustrator based in Taipei, Taiwan. Specializing in contemporary Chinese meticulous-style brush painting using both traditional ink-based and digital media. Her subjects include historical and legendary Chinese characters and motifs out of East Asian philosophy, religion, and folklore. She is the creator of “The Oxherd Boy” webcomic, which boasts a highly engaged, worldwide audience and has been translated into more than ten languages by volunteer fans. “The Oxherd Boy” is currently being adapted into a book, so follow the journey on www.oxherdboy.org

ZEKE BARDASH (He/His) is a composer, guitarist, and sound engineer/music producer from New York City. After graduating from the Manhattan School of Music in 2018 with a Master’s degree in Classical Guitar performance he decided to explore his true passion for composition. Since then Zeke has released an album of electronic music “The Joys of Noise,” performed freelance as a guitarist for theater and with his own band Sex 4 Breakfast, and held an exhibition for his sound installation “The Aviary” for which he received a NYFA grant. Zeke’s music can be heard on Spotify, on Instagram (Instagram.com/Zeke Bardash sound), and at zekebardash.com.

KALANI MACKSON (He/His) Kalani is of African and Colombian descent coining his identity as Afrolombian. He is a professional cinematographer who has shot Emmy award-winning shows like Bronx SIU and A House Divided. Lighting has been a tool for the young filmmaker to control the narrative and display the beauty of the Black, Brown, and minority experience that has been so poorly represented throughout American Cinema. As a lover of music and theater, the same principles and sensitivity will be applied to honor the narrative which will unfold onstage for 妈妈，爸爸 (For Mum, Dad)

COMPOSER BIOS

CHEN YI (She/Her) As a Distinguished Professor at the UMKC Conservatory of Music and Dance, a prolific composer, and recipient of the Ives Living Award from the American Academy of Arts and Letters, Dr. CHEN YI* blends Chinese and Western traditions, transcending cultural and musical boundaries. Her music has reached a wide range of audiences and inspired peoples of different cultural backgrounds throughout the world. She holds a BA and MA in music composition from the Central Conservatory of Music in Beijing, and a DMA from Columbia University in New York City, studying composition with Wu Zuqiang, Chou Wen-chung and Mario Davidovsky. She was elected to the American Academy of Arts and Sciences in 2005, and the American Academy of Arts and Letters in 2019.

Dr. Chen’s music has been performed and commissioned by the world’s leading musicians and ensembles, including Yehudi Menuhin, Yo-Yo Ma, Evelyn Glennie, the Cleveland Orchestra, the BBC, Seattle, Pacific, Kansas City, and Singapore Symphonies, the Brooklyn, NY, and LA Philharmonic, Sächsische Staatskapelle Dresden, and the St. Paul Chamber Orchestra. Her music has also been recorded on many labels, including Bis, New Albion, CRI, Teldec, Telarc, Albany, New World, Naxos, Quartz, Delos, Angel, Bridge, Nimbus, KIC, and China Record Company.

Dr. Chen has received fellowships from the Guggenheim Foundation (1996) and the National Endowment for the Arts (1994), as well as the Lieberson Award from the American Academy of Arts and Letters (1996). Other honors include first prize from the Chinese National Composition Contest (85), Lili Boulanger Award (93), NYU Sorel Medal Award (96), CalArts / Alpert Award (97), UT Eddie Medora King Composition Prize (99), ASCAP Concert Music Award (01), Elise Stoeger Award (02) from Chamber Music Society of Lincoln Center, Friendship Ambassador Award from Edgar Snow Fund (02), UMKC Kauffman Award in Artistry/Scholarship (06, 19) and in Faculty Service (12), and Honorary Doctorates from Lawrence University in WI (02), Baldwin-Wallace College in OH (08), University of Portland in OR (09), the New School University in NYC (10), and the University of Hartford in CT (16).

Recent premieres include Plum Blossom for piano solo at the Fifth Hong Kong International Piano Competition by 15 semi-finalists at HK City Hall Concert Hall in October 2019, a three-movement symphonic work Introduction, Andante, and Allegro (co-commissioned by the Seattle Symphony Orchestra directed by Ludovic Morlot and Los Angeles Philharmonic directed by Gustavo Dudamel) by the SSO at Benaroya Hall in Seattle on 2/6/2019; Fire for 12 players (commissioned by Chicago Center for Contemporary Music) by Grossman Ensemble at Logan Center Performance Hall in University of Chicago on 3/15/2019; a symphonic work Pearle River Overture (commissioned by Guangzhou Symphony) in Xinghai Concert Hall in Guangzhou, China on 11/22/2018; Four Spirits for piano and orchestra, commissioned by the University of North Carolina at Chapel Hill and premiered at the Forbidden City Concert Hall in Beijing, China on November 18, 2016 and at the Memorial Hall in the Carolina Performing Arts (CPA), University of North Carolina at Chapel Hill on December 8, 2016 by the China Philharmonic Orchestra, with piano soloist Clara Yang, conducted by Huang Yi and Yu Long respectively; Southern Scenes for flute, pipa, and orchestra (with Barlow Commission Award) premiered by the Hawaii Symphony Orchestra in Honolulu (with soloists Linda Chatterton and Gao Hong, conducted by JoAnn Falletta) on Jan. 7, 2018; Totem Poles for organ solo commissioned and premiered at the American Guild of Organists national conference in Kansas City by Prof. James Higdon on July 3, 2018; Happy Tune for violin and viola commissioned and premiered at the Great Lake Chamber Music Festival 25th anniversary concert by Tien-Hsin Cindy Wu and Kim Kashkashian on June 16, 2018; Feng II and Suite from China West for saxophone ensembles premiered at the 18th World Saxophone Congress in Zagreb, Croatia on July 12, 2018; Ge Xu for orchestra by New Jersey Symphony and LA Philharmonic conducted by Zhang Xian; Chinese Folk Dance Suite for violin and orchestra performed on Guangzhou Symphony Youth Orchestra European tour (solo by Gao Can and conducted by Jing Huan) in Lyon, Prague, and at Musica Riva Festival in Italy; Ballad, Dance, and Fantasy for cello and orchestra by the China National Symphony at the 2018 Beijing Modern Music Festival and ISCM World Music Days (solo by Qin Li-wei and conducted by Yongyan Hu) at the CNCPA in Beijing.

A strong advocate of new music, American composers, Asian composers, and women in music, Dr. Chen Yi has served on the advisory or educational board of the Fromm Music Foundation at Harvard, the John Simon Guggenheim Memorial Foundation, Chamber Music America, Meet The Composer, the American Music Center, New Music USA, the American Composers Orchestra, the League of Composers/ISCM, the International Alliance of Women in Music, and the Women’s Philharmonic Advocacy. She has supported many composers, conductors, musicians (including dozens of excellent performers on Chinese traditional instruments), music educators and students through her tireless work over the past three decades.

Prof. Chen was appointed to the prestigious Cheungkong Scholar Visiting Professor at the Central Conservatory by the China Education Ministry in 2006 where she was instrumental in establishing the first Beijing International Composition Workshop, and the Distinguished Visiting Professor at the Tianjin Conservatory in 2012. Through her professorship in the Conservatory of Music and Dance, University of Missouri-Kansas City and Peabody Conservatory, John Hopkins University since 1996, as well as composition lectures and workshops, judging composition competitions, residences in new music festivals, performing arts organizations, universities, colleges, middle/high schools, and primary schools throughout the States and China, Prof. Chen has made significant contribution to the music education field. Many of her composition students have been recognized around the world with national and international composition awards and professional positions.

Dr. Chen Yi is a cultural ambassador who has introduced hundreds of new music compositions and a large number of musicians from the East and the West to music and education exchange programs in the US, Germany, the UK, and Asian countries, particularly in recent years through programs of the Beijing Modern Music Festival, the Beijing International Composition Workshop (BICW), the Shanghai Spring Festival, the Tianjin May Festival, the China-ASEAN Music Week, the symphony orchestras throughout China and some other Asian countries, and the Thailand International Composition Festival, among many others. She believes that music is a universal language; improving understanding between peoples of different cultural backgrounds and helping to bring peace in the world.

* Chen is family name, Yi is personal name. Chen Yi can be referred to as Dr. Chen, Prof. Chen, Ms. Chen, or Chen Yi, but not Dr. Yi, Prof. Yi, or Ms. Yi.

ZHOU LONG (He/His) is internationally recognized for creating a unique body of music that brings together the aesthetic concepts and musical elements of East and West. Winner of the 2011 Pulitzer Prize for his first opera, Madame White Snake, Dr. Zhou also received the American Academy of Arts and Letters Award, the 2012-2013 Elise Stoeger Prize from Lincoln Center Chamber Music Society. He has been two-time recipient of commissions from the Koussevitzky, Fromm Music Foundations, Meet the Composer, Chamber Music America, and the New York State Council on the Arts. He has received fellowships from the National Endowment for the Arts, the Guggenheim and Rockefeller Foundations, and the New York Foundation for the Arts. In 2015, Zhou Long and Chen Yi both were nominated the 58th Grammy Award.

Born on July 8, 1953, in Beijing, Zhou Long enrolled in the Central Conservatory of Music in Beijing in 1977. Following graduation in 1983, he was appointed composer-in-residence with the China Broadcasting Symphony. He traveled to the United States in 1985 under a fellowship to attend Columbia University, where he studied with Chou Wen-Chung, Davidovsky and Edwards, receiving a Doctor of Musical Arts in 1993. Dr. Zhou is currently Bonfils Distinguished Research Professor of Composition at the University of Missouri-Kansas City Conservatory. Dr. Zhou’s music of all genres has been widely performed, recorded, and published by the Oxford University Press and the Shanghai Music Publishing House.

Recently, he has completed a Symphonic Oratorio: Men of Iron and the Golden Spike for voices, choir, and orchestra (c. 50 minutes) co-commissioned by Stanford University and Bard College, premiered at the Carnegie Hall 2019, Classic of Mountains and Seas – Concerto for Orchestra, commissioned by the Shanghai Symphony Orchestra, Tipsy Poet for violoncello and orchestra, co-commission by the WDR Symphony in Cologne, premiered at 2019 Dresden Music Festival and Singapore Symphony, Tsingtao Overture, which awarded China National Arts Fund; Beijing Rhyme - A Symphonic Suite, commissioned by the Beijing Symphony Orchestra, a quartet co-commissioned by the Wigmore Hall and Lincoln Center, and his first piano concerto Postures co-commissioned by the BBC Proms and Singapore Symphony. In 2013, Zhou Long composed a whole evening symphonic epic Nine Odes on poems by Qu Yuan for four solo vocalists and orchestra, commissioned by the Beijing Music Festival and premiered by the Guangzhou Symphony. Zhou’s opera Madame White Snake will be co-produced by Paris’ Opera Comique, Beijing Music Festival and San Francisco Opera to a brand-new stage in 2022.

LEI LIANG (He/His) is a Chinese-born American composer whose works have been described as “hauntingly beautiful and sonically colorful” by The New York Times, and as “far, far out of the ordinary, brilliantly original and inarguably gorgeous” by The Washington Post.

Winner of the 2011 Rome Prize, Lei Liang is the recipient of a Guggenheim Fellowship, an Aaron Copland Award, a Koussevitzky Music Foundation Commission, a Creative Capital Award, and the Goddard Lieberson Fellowship from the American Academy of Arts and Letters. His concerto Xiaoxiang (for saxophone and orchestra) was named a finalist for the 2015 Pulitzer Prize in Music. His orchestral work, A Thousand Mountains, A Million Streams, won the prestigious 2021 Grawemeyer Award for Music Composition.

Lei Liang was commissioned by the New York Philharmonic for the inaugural concert of the CONTACT! new music series. Other commissions and performances come from the Taipei Chinese Orchestra, Boston Modern Orchestra Project, Berkeley Symphony Orchestra, the Heidelberger Philharmonisches Orchester, the Thailand Philharmonic, the Fromm Music Foundation, Meet the Composer, Chamber Music America, the National Endowment for the Arts, MAP Fund, Mary Flagler Cary Charitable Trust, the Manhattan Sinfonietta, Arditti Quartet, Shanghai Quartet, the Scharoun Ensemble of the Berlin Philharmonic, San Francisco Contemporary Music Players, New York New Music Ensemble and Boston Musica Viva, pipa virtuoso Wu Man, violinist Cho-Liang Lin, among others.

Lei Liang’s ten portrait discs are released on Naxos, Mode, New World, BMOP/sound, Albany, Encounter and Bridge Records, along with more than a dozen compilation discs. As a scholar and conservationist of cultural traditions, he served as editor and co-editor of five books, and published more than thirty articles. In 2020, Shanghai Conservatory of Music Press publishes a biography of Lei Liang, with essays by composers, musicologists, ethnomusicologists, performers, music critics, literary scholars, poets, and scientists. The book was edited by Prof. Qin Luo of Shanghai Conservatory.

From 2013-2016, Lei Liang served as Composer-in-Residence at the Qualcomm Institute where his multimedia works preserve and reimagine culture through combining advanced technology and scientific research. In 2018, Liang returned to the Institute as its inaugural Research Artist-in-Residence.

Lei Liang's recent works address issues of sex trafficking across the US-Mexican border (Cuatro Corridos), America's complex relationship with gun and violence (Inheritance), and environmental awareness through the sonification of coral reefs.

Lei Liang studied composition with Sir Harrison Birtwistle, Robert Cogan, Chaya Czernowin, and Mario Davidovsky, and received degrees from the New England Conservatory of Music (BM and MM) and Harvard University (PhD). A Young Global Leader of the World Economic Forum, he held fellowships from the Harvard Society of Fellows and the Paul & Daisy Soros Fellowships. Lei Liang taught in China as a distinguished visiting professor at Shaanxi Normal University College of Arts in Xi'an; served as honorary professor of composition and sound design at Wuhan Conservatory of Music and as visiting assistant professor of music at Middlebury College. He is Chancellor's Distinguished Professor of Music at the University of California, San Diego where he served as chair of the composition area and Acting Chair of the Music Department. Starting from 2018, Lei Liang serves as the Artistic Director of the Chou Wen-chung Music Research Center in China. Lei Liang's catalogue of more than a hundred compositions is published exclusively by Schott Music Corporation (New York).

COREY CHANGE (He/His), described as “a major composer…of his generation” by The Millbrook Independent, holds awards from ASCAP and The Golden Key Music Festival, as he continues to rise as a figure in the 21st-century music scene. In high school, he became the youngest composer in New Haven’s Young Composer’s Projects, where three of his works were performed by members of the New Haven Symphony Orchestra. Since then, his works have been performed by top contemporary musicians, such as the Euclid Quartet, The Da Capo Chamber Players, The National Sawdust Ensemble, Ensemble Intercontemporain, and artists of the American Modern Ensemble and the JACK Quartet, among others. As a pianist, Chang has been recognized through awards from competitions, such as the Greater New Haven Concerto Competition and The Renee B Fisher Piano Competition. His own performances of his works have included “Evening Light,” in Vienna’s Ehrbar Hall at The Prayner Conservatory of Music and Dramatic Arts, “Three Piano Preludes,” at Juilliard’s Paul Hall, and “Field of Shards” as a commission by the Hudson Valley Music Circle and the Albany Symphony Orchestra’s American Music Festival in recognition of Joan Tower’s 80th birthday. Chang holds dual degrees in Composition and Mathematics from Bard College and a Master’s Degree in Composition from The Juilliard School, where he was a Blueprint Composition Fellow, a Morse Teaching Fellow and an online composition mentor for Opportunity Music Project. Chang is currently pursuing a Doctorate in Musical Arts at Indiana University’s Jacobs School of Music, where he also holds a position as an Associate Instructor of Composition. In addition, Chang also maintains a private studio for composition, piano and theory.

Taking a break from his musical activities, Chang enjoys exercising, kung fu, chess and partaking in thoughtful, introspective conversations with anyone he meets!

YUKI OHNISHI (He/His) was born in Japan in 1984. At an early age, he began playing the violin. He later took part in the junior orchestra and played classical music, including popular symphonies by composers like Beethoven and Dvorak. Yuki learned to play the flute and piccolo when he was in high school, and joined his high school brass band.

While Yuki entered the Tokyo University of Science in 2004, he started studying jazz piano and performing with the Waseda University High Society Orchestra. This is one of the most famous student big bands in Tokyo. With this band, he joined for some live shows and competitions as a pianist. They performed with The Juilliard School Jazz Ensemble Band at Dizzy’s Bar at New York’s Lincoln Center in February 2006. He also studied jazz piano and composition under Junko Moriya, winner of the 2005 Thelonious Monk Composer’s Competition.

In April 2008, Yuki played keyboards to accompany musicians playing “Enka” (Japanese traditional music) at the Sweet Basil Japan live house (STB139) in Tokyo. From this time on, he also began to play synthesizers along with the piano.

After he worked as a website creator in Japan, Yuki enrolled at the Berklee College School of Music, majoring in Jazz Composition and Contemporary Writing and Production. His musical horizons expanded to include the whole world. He met many good musicians from many different countries and heard many styles of music that he had never played before.

In particular, gospel music stirred him both in terms of harmony and soul. It is a kind of bridge between jazz and classical music. Encountering gospel is one of the big turning points in Yuki’s music. Gospel music gave him an additional sense of harmony that he didn’t have before. He became able to combine the classical harmony he had used when he played with orchestras to the pop and jazz field. Also recording with gospel singers added an authentic American flavor to his music.

Yuki began as mainly a pianist, but has since expanded his studies to include production and composition. This allows him to be a bigger part of the process, and have more of an impact on how the music sounds while still getting to play with other musicians.

Yuki has familiarized himself with many instruments and has a true appreciation for the variety of music. He has a border-less and hybrid style that uses electric and acoustic sounds, both traditional classical and jazz harmonies, and live band and sequences. His music is simple and direct, and can be understood even by ordinary listeners, because it is based on sharing emotion with the listener. He knows the sounds everyone likes. More than anything, Yuki loves playing and making music with other musicians.

In December 2011, he graduated from Berklee College of Music with achieving dean’s list and he moved to New York to keep pursuing his music. He started his professional carrier in US as an engineer at Titanium Music Group. In many sessions with various talented songwriters in NY, He caught R&B and Urban Hiphop / gospel chops which any school never teach.

In May 2016, he moved back in Tokyo and joined her0ism’s, award-wining Japanese music producer, team. His music has been released in US, Japan, South Korea, China, Myanmar… including No.1 songs on Japanese Music chart.

PRODUCTION AND MAJOR SUPPORT Credits

妈妈，爸爸。(For Mum, Dad) was originally produced by The Center at West Park.

Special Thanks

The team at “For Mum, Dad” would like to thank our immigrant parents and families who have made our futures possible: Meiju Wang & Arthur Ding, Fujiko Kato & Yasuhiro Kato, Ning Zhang, Yongchen Sun, & Niu BB, and Lea Myohanen & Michael Bardash.

Additional thanks go to Ronen Segev and Zara Lawler.

SUPPORT THE ARTISTS

If you love and believe in making classical music immersive and accessible and introducing new composers into the Western classical canon please consider supporting the artists by making a tax-deductible donation via the following link: app.thefield.org/profile/KOE/629700

About the Center AT WEST PARK

The Center at West Park is a community performing arts center based in the historic West Park Presbyterian Church, a New York City landmark. We present engaging and boundary-pushing early-career and established artists through our artist residency programs, provide affordable rental space for artists to develop their work, and steward the restoration of our historic home’s landmark exterior. The Center is a secular, 501(c)3 not-for-profit organization.

This program is made possible by the generous support of audience members like you. To make a donation to support future residencies, go to centeratwestpark.org/donate.

Staff

Natasha Katerinopoulos, Managing Director
Zachary Tomlinson, Artistic Director
Dane Jerabek, Marketing Associate
Kate Sann, Development Consultant
Daniel Hess, Videographer
Tarela Kelvin Ebiotu, Videographer
David Shocket, Consulting Technical Director
Gary Eisenkraft, CPA, Accountant
Mercedes Marrero-Alvarado, Porter
Dion Thompson, Porter

FALL 2021 GUEST CURATORS

Debra Ann Byrd
Melanie Greene
Elliot Reed

OBJECT MOVEMENT CURATORS

Maiko Kikuchi
Rowan Magee
Marcella Murray
Justin Perkins

Board of directors

Marian M. Warden, President
Marsha Flowers, Vice President
Theodore S. Berger, Treasurer
Beryl Abrams, Secretary
Robert L. Brashear
Jennifer Rogers Carlock
Don Frantz
Derrick McQueen
Mitchell Schamroth
Susan E. Sullivan